Shield Your Eyes - S/T - Album Review

Shield Your Eyes – S/T Debut LP
Available now on vinyl and CD from the band’s website.


I spent my first Friday off in a long time doing little other than looking on the internet for some new music that I might like. For nostalgia’s sake I looked to see if Skin Graft or Touch and Go had released anything lately that might point towards some exciting guitar-based rock music. Dischord, Load records and even some trusted online fanzines and record shops threw up little of interest and I began to give up hope. Little did I know that in the recesses of my back yard, left by the postie the day before and fast becoming damp, was a copy of Shield Your Eye’s debut album on vinyl that would have satiated my cravings and then some.

If you haven’t had the pleasure of experiencing London’s Shield Your Eye’s in either recorded or live format as yet then allow me to do them some injustice: they are a power-trio in the best sense of the term. Stef’s guitar work is as inventive and mesmerising as it is emotive and tasteful, Toby’s bass playing both melodic and driving, and Henri’s jaw-loosening drumming has the planned precision that keeps young men and women worshiping better known but no less deserving acts like Battles or Don Caballero.

The music they play is a distinctive, exhilarating mash of styles taking in the mathy hardcore of Melt Banana, raucous energetics of Pink and Brown or Coachwhips and the craftsmanship and pin-point execution of Shellac, Karate or Pinback. The fact that I’m reminded of such a heady cocktail of personally significant bands whilst listening to the album can only be to Shield Your Eyes’ credit. On top of this stunning instrumentality the lyrics and vocal delivery advance a strong heritage of sincere and emotive British post-hardcore that harks back to the days when emo wasn’t such a dirty word. Bands like Spy Vs Spy, Bob Tilton and Wolves of Greece, had they stuck with it and retained their sense of urgency and contemporariness, could have hoped to sound something like the superb album Shield Your Eyes have produced in 2008.

Well recorded, perfectly paced and released their fucking selves this album has truly restored my faith in the sphere of guitar-based rock music whether it be American, British, DIY or otherwise. If there’s a better release this year then I will eat my disease-incubating rusting aluminium guitar.

Buy it from http://www.myspace.com/leavethetapesrunning

Andy Abbott

Blacklisters Interview

Even though I spent a good 25 mins probing these guys about the difficulty of fitting in one's local music scene, fears and aspirations for the future and upwardly facing male genitalia, I still walked away with a sense of not knowing whether I had actually connected with them or not.

During the interview I thought there might have been a chance for the three of us to bond through the mutual release of anger and frustration, a feeling so common in a metalhead's life. So I decided to spill my pint over their clothes, but they both seemed fairly jubilant about it and were keen to keep the ball rolling despite the sodden crotches.

More than once I made inferences to them enjoying reciprocal manual labour with undressed men, but this only added fuel to their fire and spurred them on to even more explicit descriptions of themselves accompanied by roarings of hearty laughter.

In the end I failed to beat them and so I joined them instead, which is why the final 5 mins of the interview can only be described as schoolboy smut. My sincerest apologies go out to my Mum and Dad. I know you like to keep up with what I'm doing in Leeds but I'm not normally like this I promise.

Love you both,

x

www.myspace.com/blacklisters

That Fucking Tank Interview

Andy Abbott and James Islip combined make That Fucking Tank, a polyrhythmic unit of seismic proportions and before the interview I pre-interviewed them about a few niggling points that needed clearing up.

1. Why are you called That Fucking Tank?

It was a joke name for a joke band - others included 'Diners Club International', 'I'm Trapped in Cupboard' and '(Don't) Tell me About the War'. It was the best of a bad bunch.

2. I know the band was created for one gig, but what was the context of this gig?

We were organising a gig for our continental chums Vialka (who are a two-piece) and Like a Kind of Matador (also, at that time a duo) and thought it would be novel to have a gig of just duos. That probably is almost unavoidable nowadays.

3. Could you list a few other bands that both of you guys were in before this one.

The pair of us? Our first gig was when we were 13/14 as 'Grin' - James sang and played guitar and I played bass, doing covers of Nirvana, Therapy?, Sabbath, Green Day etc. Then we did 'Mad Things' (a badger-obsessed hardcore band), then 'Kill Yourself' (in Leeds with Giles) which was the first band to do 'proper' tours and release records and go to Europe etc.


Cheers son.

www.myspace.com/landsandbody